Pittsburgh CLO and Carnegie Mellon School of Drama are proud
to announce a new partnership with The ASCAP Foundation and composer/lyricist
and Carnegie Mellon alumnus Stephen Schwartz to develop new musicals as part of
the Pittsburgh CLO/Carnegie Mellon University School of Drama New Works
Program. The ASCAP Foundation and Mr.
Schwartz will select musicals for this initiative from participants in the
prestigious ASCAP Foundation/Disney Musical Theatre Workshop.
The first musical selected for further development through
the partnership will be Alive at Ten
by Ryan Scott Oliver and Kirsten A. Guenther. The workshop will take place
October 15-20, 2007, and will culminate in a staged reading for invited guests
at 3PM on Saturday, October 20 in the Helen Wayne Rauh Studio Theater at Carnegie Mellon University.
Pittsburgh CLO's Associate Artistic Director and Carnegie Mellon alumnus, Jason
Coll, will serve as music director, and Ryan MeKenian will direct.
Alive at Ten was
conceived in the Graduate Musical Theatre Writing Program at the Tisch School
of the Arts at NYU and inspired by the true story of the Pamela Smart
teacher-student sex scandal. The musical
explores the life of Kimberly "Kimmie" Sharp who dreams that she will
one day become America's next beloved media personality, but there's one
problem. She's stuck in a dead end job teaching at the local high school, and
her discouraging, undermining husband would prefer she stay that way. But once Kimmie
sets her mind to something, you can bet her husband's life it will happen. This
is the story of a woman, her dream, and her sheer determination to make it come
true at all costs-- even if it means manipulation, seduction, and eventually
murder.
The ASCAP Foundation/Disney Musical Theatre Workshop occurs
twice a year in New York and Los Angeles and is sponsored by The ASCAP
Foundation as part of an ongoing commitment to nurture new American musicals. The Workshop is directed by Academy and
Grammy Award-winning composer/lyricist Stephen Schwartz (Wicked, Godspell, Pippin, Pocahontas, The Prince of
Egypt). The selected musical theatre
writers have the opportunity to make short presentations from their original
works-in-progress for professional critique by a panel of the most prominent
theatre producers, directors, lyricists and composers. Alive at Ten was presented at the New York workshop held
in May 2007.
A collaborative effort established in 2001, the Pittsburgh
CLO/Carnegie Mellon University School of Drama New Works Project encourages the
development and refinement of new works of the American musical theater. By
utilizing the resources of both Pittsburgh CLO and Carnegie
Mellon University's
School of Drama, this program offers a unique
opportunity for writers, lyricists, composers, directors and actors from both
the academic and professional worlds to collaborate on new musicals.
Since 1946, the Pittsburgh CLO has been the driving force
behind live musical theater in Pittsburgh and
the entire Southwestern Pennsylvania region. Pittsburgh CLO is a not-for-profit arts
organization that appreciates the support of nearly 200,000 patrons each
year. Its dedication to the musical
theater art form extends beyond the summer season, with such programs as the CLO Academy,
the CLO Mini Stars, the Gene Kelly Awards, the Construction Center
for the Arts and the CLO Cabaret
Founded in 1975, The ASCAP Foundation is a charitable
organization dedicated to supporting American music creators and encouraging
their development through music education and talent development programs. Included
in these are songwriting workshops, grants, scholarships, awards, recognition
and community outreach programs, and public service projects for senior
composers and lyricists. The ASCAP Foundation is supported by contributions
from ASCAP members and from music lovers throughout the United States. www.ascapfoundation.org